Thanks! (Kendo Reader)

This is just a quick post to say thanks to everyone for help making our latest publication – Noma Hisashi’s THE KENDO READER – a great success… ALREADY!! It was only released on Wednesday night (it’s Sunday night as I write this) and multiple print editions have already gone out to the following locations: The … Continue reading Thanks! (Kendo Reader)

KENDO READER

After over 2 years of editing, translating, reading, more editing, double-checking, re-reading, etc, I’m finally proud to announce the release of my latest book: Noma Hisashi’s KENDO READER. The original book was published posthumously almost 75 years ago in 1939 (pre World War 2) yet has barely aged a day – it’s jam-packed full of … Continue reading KENDO READER

Ishihara Tadami hanshi’s Important point’s for keiko

The following is short semi-translation of a small introduction piece published from the ZNKRs official kendo magazine Kenso (August 2013). I say only ‘semi-” as there wasn’t much explanation behind the points in the magazine so I’ve liberally translated what there was and then freely added in my own explanations. Feel free to interpret the … Continue reading Ishihara Tadami hanshi’s Important point’s for keiko

Monna Tadashi 門奈正

(the picture above shows (l-r): Monna Tadashi, Sasaki Masanori, Naito Takaharu) Along with his friend and fellow Tobukan/Hokushin Itto-ryu kenshi Naito Takaharu, Monna Tadashi (1855-1930) was one of the most influential swordsmen in modern kendo’s early period. At Busen they were known as the pair: “Waza Monna” and “Ki Takaharu.” The Monna family were hereditary … Continue reading Monna Tadashi 門奈正

SEME #3 and 4: Nishikawa Kiyonori and Sueno Eiji

The following is a short translation of a couple of famous sensei’s description of SEME. SEME #3: Nishikawa Kiyonori “With the extension of your kensen aimed between your opponents throat and chest area keep your kamae in the center. Without hitting or striking the opponents shinai, lightly stick your shinai to theirs. If your opponent … Continue reading SEME #3 and 4: Nishikawa Kiyonori and Sueno Eiji