In many iaido ryuha, chiburi is a fundamental part of kata. Chiburi, usually written 血振 in Japanese, literally means “shaking off blood,” and the image presented is that of flinging the blood of a defeated enemy off the blade with a deft movement before resheathing. Perhaps mainly due to the prevalence of Muso Shinden-ryu and … Continue reading The Myth of Chiburi?
Tameshigiri is a very popular element of swordsmanship today. This is perhaps thanks in part to the spread of Toyama-ryu, a system originally created in the 1920s to teach fundamental sword technique to officers in the Imperial Japanese Military. Tameshigiri forms a central part of training in Toyama-ryu and its derivatives, but traditionally, this form … Continue reading Thoughts on Tameshigiri from Famous Swordsmen
Nukitsuke and nukiuchi are different. “Tsuke” means you are acting to forestall an opponent’s attack before it begins. Nukiuchi on the other hand means, precisely, to cut down an opponent. Without understanding the difference between these two, your swordsmanship will not be effective.* － Kamimoto Eiichi sensei, iaido hanshi 9 dan, kendo hanshi 8 … Continue reading Nukitsuke
In budo circles today, it is not uncommon for students of swordsmanship to get angry or upset when they see attempts to make a profit from their chosen arts or turn them into spectacles of showmanship, especially when the person doing so is considered less than “qualified.” There are some exceptions to this, such as … Continue reading The Art of Drawing a Crowd
Kenpō Nagasaki is a bimonthly kendo publication available to subscribers in Nagasaki prefecture. Each issue features shiai and seminar reports and articles by sensei on various topics. Recently the magazine featured statistics about dojo in Nagasaki prefecture, including a survey on how many dojo have kamidana or Japanese flags at their shōmen. I have translated … Continue reading Kamidana Statistics