Search results for "seme"

SEME #5: Arimitsu Masaaki

The following is a short translation of a famous sensei’s description of SEME. Seme #5: SEME #5: Arimitsu Masaaki “Kamae with the centre line (the extension of your shinai) being around the area between your opponents chest and throat, all the while energetically pressuring your opponent. However, don’t intentional show this spirit at the end of your shinai; as much as you can, keep your outward composure at all times. For example, if the opponent does something like strikes down your shinai etc, quietly and unhurriedly allow your shinai to go back to the centre line. However, at the instant …

SEME #3 and 4: Nishikawa Kiyonori and Sueno Eiji

The following is a short translation of a couple of famous sensei’s description of SEME. SEME #3: Nishikawa Kiyonori “With the extension of your kensen aimed between your opponents throat and chest area keep your kamae in the center. Without hitting or striking the opponents shinai, lightly stick your shinai to theirs. If your opponent tries to take the center, slightly push your shinai back on theirs (and re-take control). If they continue to try and take the centre lower your kensen to around about the height of their solar plexus and check their shinai in place. When you are …

Seme #2: Sakudo Masao

Sakudo Masao

Already well known in Japan, Osaka sports universities Sakudo sensei is becoming more and more well known outside of the country nowadays, so I thought I’d dig out a piece of kendo literature by him to share with kenshi247 readers. Here is a translation of a short description of ‘seme’ that was originally published in a Kendo Jidai article series called “Mei senshu, renma no hibi” (originally serialised in 1983-84). The series was published in a two book format called “renma no hibi” in 1989. At the time Sakudo sensei was still only kyoshi 7dan (now he is hanshi 8dan). …

The reality of seme

The following is the translation of some notes written by Furuya Fukunosuke hanshi during a kendo lecture at a Yoseikai gasshuku in Nara, 2001*. Furuya hanshi sadly passed away in 2008 but his teachings have been recorded by one of his top students – Uegaki sensei – and published in book format. The book is not on sale to the public but I hope to post other items from it in the future. I’ll stress that I didn’t attend these lectures. Whats presented here are translations of notes found in the book. As such, I can’t impart any of the …

Seme #1: Furukawa Kazuo

一足一刀の間合よりやや遠い間合で構え、相手の竹刀に表・裏から付けたり、軽く押せたりして相手の「心」・「気」に触れてみる。そこから、さらに竹刀の表・裏を力強く、短く張って中心を抑えながら一足一刀の間合に入り、時に剣先をわずかに突き出したり、グッと下にしたりして強い攻めをみせ、相手の手元の動きを見る。この時、足の動きは含み足で行なう。含み足とは、足指の全てを使って這うようにして一寸きざみに間合を詰める動きである。この攻めを何回かくり返し、相手の気分と剣先の動きを見ながら、攻め方と技の組み立てを考える。 – 古川和男、剣道時代の「名選手、錬磨の日々」(1983ー84)からの抜粋です。「錬磨の日々」の本は1989発行。 Seme Taking your kamae from a little bit outside issoku-itto-no-ma, lightly feel out your opponents shinai on both sides, all the time testing and looking at his KOKORO (心) and KI (気). From there, strongly press both sides of your opponents shinai and – whilst taking control of the center line – enter into issoku-itto-no-ma, pushing his shinai out of the way. In particular try slightly thrusting your kensaki or quickly adjusting moving your kamae down. Whilst moving in strongly, observe your opponents hands closely. During this time, use FUKUMI-ASHI (含み足). “Fukumi-ashi” is when you use the …